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Myths and Myth-makers - Chapter 5
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V.
MYTHS OF THE BARBARIC WORLD.
THE theory of mythology set forth in the four preceding papers, and
illustrated by the examination of numerous myths relating to the
lightning, the storm-wind, the clouds, and the sunlight, was
originally framed with reference solely to the mythic and legendary
lore of the Aryan world. The phonetic identity of the names of many
Western gods and heroes with the names of those Vedic divinities which
are obviously the personifications of natural phenomena, suggested the
theory which philosophical considerations had already foreshadowed in
the works of Hume and Comte, and which the exhaustive analysis of
Greek, Hindu, Keltic, and Teutonic legends has amply confirmed. Let us
now, before proceeding to the consideration of barbaric folk-lore,
briefly recapitulate the results obtained by modern scholarship
working strictly within the limits of the Aryan domain.
In the first place, it has been proved once for all that the
languages spoken by the Hindus, Persians, Greeks, Romans, Kelts,
Slaves, and Teutons are all descended from a single ancestral
language, the Old Aryan, in the same sense that French, Italian, and
Spanish are descended from the Latin. And from this undisputed fact it
is an inevitable inference that these various races contain, along
with other elements, a race-element in common, due to their Aryan
pedigree. That the Indo-European races are wholly Aryan is very
improbable, for in every case the countries overrun by them were
occupied
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by inferior races, whose blood must have mingled in varying degrees
with that of their conquerors; but that every Indo-European people is
in great part descended from a common Aryan stock is not open to
question.
In the second place, along with a common fund of moral and
religious ideas and of legal and ceremonial observances, we find these
kindred peoples possessed of a common fund of myths, superstitions,
proverbs, popular poetry, and household legends. The Hindu mother
amuses her child with fairy-tales which often correspond, even in
minor incidents, with stories in Scottish or Scandinavian nurseries;
and she tells them in words which are phonetically akin to words in
Swedish and Gaelic. No doubt many of these stories might have been
devised in a dozen different places independently of each other; and
no doubt many of them have been transmitted laterally from one people
to another; but a careful examination shows that such cannot have been
the case with the great majority of legends and beliefs. The agreement
between two such stories, for instance, as those of Faithful John and
Rama and Luxman is so close as to make it incredible that they should
have been independently fabricated, while the points of difference are
so important as to make it extremely improbable that the one was ever
copied from the other. Besides which, the essential identity of such
myths as those of Sigurd and Theseus, or of Helena and Saramâ, carries
us back historically to a time when the scattered Indo-European tribes
had not yet begun to hold commercial and intellectual intercourse with
each other, and consequently could not have interchanged their epic
materials or their household stories. We are therefore driven to the
conclusion -- which, startling as it may seem, is after all the most
natural and plausible one that can be stated -- that the
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Aryan nations, which have inherited from a common ancestral stock
their languages and their customs, have inherited also from the same
common original their fireside legends. They have preserved Cinderella
and Punchkin just as they have preserved the words for father and
mother, ten and twenty; and the former case, though more imposing to
the imagination, is scientifically no less intelligible than the
latter.
Thirdly, it has been shown that these venerable tales may be
grouped in a few pretty well defined classes; and that the archetypal
myth of each class -- the primitive story in conformity to which
countless subsequent tales have been generated -- was originally a
mere description of physical phenomena, couched in the poetic diction
of an age when everything was personified, because all natural
phenomena were supposed to be due to the direct workings of a volition
like that of which men were conscious within themselves. Thus we are
led to the striking conclusion that mythology has had a common root,
both with science and with religious philosophy. The myth of Indra
conquering Vritra was one of the theorems of primitive Aryan science;
it was a provisional explanation of the thunder-storm, satisfactory
enough until extended observation and reflection supplied a better
one. It also contained the germs of a theology; for the life-giving
solar light furnished an important part of the primeval conception of
deity. And finally, it became the fruitful parent of countless myths,
whether embodied in the stately epics of Homer and the bards of the
Nibelungenlied, or in the humbler legends of St. George and William
Tell and the ubiquitous Boots.
Such is the theory which was suggested half a century ago by the
researches of Jacob Grimm, and which, so far as concerns the mythology
of the Aryan race, is now
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victorious along the whole line. It remains for us to test the
universality of the general principles upon which it is founded, by a
brief analysis of sundry legends and superstitions of the barbaric
world. Since the fetichistic habit of explaining the outward phenomena
of nature after the analogy of the inward phenomena of conscious
intelligence is not a habit peculiar to our Aryan ancestors, but is,
as psychology shows, the inevitable result of the conditions under
which uncivilized thinking proceeds, we may expect to find the
barbaric mind personifying the powers of nature and making myths about
their operations the whole world over. And we need not be surprised if
we find in the resulting mythologic structures a strong resemblance to
the familiar creations of the Aryan intelligence. In point of fact, we
shall often be called upon to note such resemblance; and it
accordingly behooves us at the outset to inquire how far a similarity
between mythical tales shall be taken as evidence of a common
traditional origin, and how far it may be interpreted as due merely to
the similar workings of the untrained intelligence in all ages and
countries.
Analogies drawn from the comparison of languages will here be of
service to us, if used discreetly; otherwise they are likely to
bewilder far more than to enlighten us. A theorem which Max Müller has
laid down for our guidance in this kind of investigation furnishes us
with an excellent example of the tricks which a superficial analogy
may play even with the trained scholar, when temporarily off his
guard. Actuated by a praiseworthy desire to raise the study of myths
to something like the high level of scientific accuracy already
attained by the study of words, Max Müller endeavours to introduce one
of the most useful canons of philology into a department of inquiry
where its introduction
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could only work the most hopeless confusion. One of the earliest
lessons to be learned by the scientific student of linguistics is the
uselessness of comparing together directly the words contained in
derivative languages. For example, you might set the English twelve
side by side with the Latin duodecim, and then stare at the two words
to all eternity without any hope of reaching a conclusion, good or
bad, about either of them: least of all would you suspect that they
are descended from the same radical. But if you take each word by
itself and trace it back to its primitive shape, explaining every
change of every letter as you go, you will at last reach the old Aryan
dvadakan, which is the parent of both these strangely metamorphosed
words.1 Nor will it do, on the other hand, to trust to verbal
similarity without a historical inquiry into the origin of such
similarity. Even in the same language two words of quite different
origin may get their corners rubbed off till they look as like one
another as two pebbles. The French words souris, a "mouse," and
souris, a "smile," are spelled exactly alike; but the one comes from
Latin sorex and the other from Latin subridere.
Now Max Müller tells us that this principle, which is indispensable
in the study of words, is equally indispensable in the study of
myths.2 That is, you must not rashly pronounce the Norse story of the
Heartless Giant identical with the Hindu story of Punchkin, although
the two correspond in every essential incident. In both legends a
magician turns several members of the same family into stone; the
youngest member of the family comes to the rescue, and on the way
saves the lives of
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sundry grateful beasts; arrived at the magician's castle, he finds a
captive princess ready to accept his love and to play the part of
Delilah to the enchanter. In both stories the enchanter's life depends
on the integrity of something which is elaborately hidden in a
far-distant island, but which the fortunate youth, instructed by the
artful princess and assisted by his menagerie of grateful beasts,
succeeds in obtaining. In both stories the youth uses his advantage to
free all his friends from their enchantment, and then proceeds to
destroy the villain who wrought all this wickedness. Yet, in spite of
this agreement, Max Müller, if I understand him aright, would not have
us infer the identity of the two stories until we have taken each one
separately and ascertained its primitive mythical significance.
Otherwise, for aught we can tell, the resemblance may be purely
accidental, like that of the French words for "mouse" and "smile."
A little reflection, however, will relieve us from this perplexity,
and assure us that the alleged analogy between the comparison of words
and the comparison of stories is utterly superficial. The
transformations of words -- which are often astounding enough --
depend upon a few well-established physiological principles of
utterance; and since philology has learned to rely upon these
principles, it has become nearly as sure in its methods and results as
one of the so-called "exact sciences." Folly enough is doubtless
committed within its precincts by writers who venture there without
the laborious preparation which this science, more than almost any
other, demands. But the proceedings of the trained philologist are no
more arbitrary than those of the trained astronomer. And though the
former may seem to be straining at a gnat and swallowing a camel when
he coolly tells you that violin
and fiddle are the
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same word, while English care and Latin cura have nothing to do with
each other, he is nevertheless no more indulging in guess-work than
the astronomer who confesses his ignorance as to the habitability of
Venus while asserting his knowledge of the existence of hydrogen in
the atmosphere of Sirius. To cite one example out of a hundred, every
philologist knows that s may become r, and that the broad a-sound may
dwindle into the closer o-sound; but when you adduce some plausible
etymology based on the assumption that r has changed into s, or o into
a, apart from the demonstrable influence of some adjacent letter, the
philologist will shake his head.
Now in the study of stories there are no such simple rules all cut
and dried for us to go by. There is no uniform psychological principle
which determines that the three-headed snake in one story shall become
a three-headed man in the next. There is no Grimm's Law in mythology
which decides that a Hindu magician shall always correspond to a
Norwegian Troll or a Keltic Druid. The laws of association of ideas
are not so simple in application as the laws of utterance. In short,
the study of myths, though it can be made sufficiently scientific in
its methods and results, does not constitute a science by itself, like
philology. It stands on a footing similar to that occupied by physical
geography, or what the Germans call "earth-knowledge." No one denies
that all the changes going on over the earth's surface conform to
physical laws; but then no one pretends that there is any single
proximate principle which governs all the phenomena of rain-fall, of
soil-crumbling, of magnetic variation, and of the distribution of
plants and animals. All these things are explained by principles
obtained from the various sciences of physics, chemistry, geology, and
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physiology. And in just the same way the development and distribution
of stories is explained by the help of divers resources contributed by
philology, psychology, and history. There is therefore no real analogy
between the cases cited by Max Müller. Two unrelated words may be
ground into exactly the same shape, just as a pebble from the North
Sea may be undistinguishable from another pebble on the beach of the
Adriatic; but two stories like those of Punchkin and the Heartless
Giant are no more likely to arise independently of each other than two
coral reefs on opposite sides of the globe are likely to develop into
exactly similar islands.
Shall we then say boldly, that close similarity between legends is
proof of kinship, and go our way without further misgivings?
Unfortunately we cannot dispose of the matter in quite so summary a
fashion; for it remains to decide what kind and degree of similarity
shall be considered satisfactory evidence of kinship. And it is just
here that doctors may disagree. Here is the point at which our
"science" betrays its weakness as compared with the sister study of
philology. Before we can decide with confidence in any case, a great
mass of evidence must be brought into court. So long as we remained on
Aryan ground, all went smoothly enough, because all the external
evidence was in our favour. We knew at the outset, that the Aryans
inherit a common language and a common civilization, and therefore we
found no difficulty in accepting the conclusion that they have
inherited, among other things, a common stock of legends. In the
barbaric world it is quite otherwise. Philology does not pronounce in
favour of a common origin for all barbaric culture, such as it is. The
notion of a single primitive language, standing in the same relation
to all existing dialects as the relation of old Aryan
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to Latin and English, or that of old Semitic to Hebrew and Arabic, was
a notion suited only to the infancy of linguistic science. As the case
now stands, it is certain that all the languages actually existing
cannot be referred to a common ancestor, and it is altogether probable
that there never was any such common ancestor. I am not now referring
to the question of the unity of the human race. That question lies
entirely outside the sphere of philology. The science of language has
nothing to do with skulls or complexions, and no comparison of words
can tell us whether the black men are brethren of the white men, or
whether yellow and red men have a common pedigree: these questions
belong to comparative physiology. But the science of language can and
does tell us that a certain amount of civilization is requisite for
the production of a language sufficiently durable and wide-spread to
give birth to numerous mutually resembling offspring Barbaric
languages are neither widespread nor durable. Among savages each
little group of families has its own dialect, and coins its own
expressions at pleasure; and in the course of two or three generations
a dialect gets so strangely altered as virtually to lose its identity.
Even numerals and personal pronouns, which the Aryan has preserved for
fifty centuries, get lost every few years in Polynesia. Since the time
of Captain Cook the Tahitian language has thrown away five out of its
ten simple numerals, and replaced them by brand-new ones; and on the
Amazon you may acquire a fluent command of some Indian dialect, and
then, coming back after twenty years, find yourself worse off than Rip
Van Winkle, and your learning all antiquated and useless. How absurd,
therefore, to suppose that primeval savages originated a language
which has held its own like the old Aryan and become the prolific
mother of the
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three or four thousand dialects now in existence! Before a durable
language can arise, there must be an aggregation of numerous tribes
into a people, so that there may be need of communication on a large
scale, and so that tradition may be strengthened. Wherever mankind
have associated in nations, permanent languages have arisen, and their
derivative dialects bear the conspicuous marks of kinship; but where
mankind have remained in their primitive savage isolation, their
languages have remained sporadic and transitory, incapable of organic
development, and showing no traces of a kinship which never existed.
The bearing of these considerations upon the origin and diffusion
of barbaric myths is obvious. The development of a common stock of
legends is, of course, impossible, save where there is a common
language; and thus philology pronounces against the kinship of
barbaric myths with each other and with similar myths of the Aryan and
Semitic worlds. Similar stories told in Greece and Norway are likely
to have a common pedigree, because the persons who have preserved them
in recollection speak a common language and have inherited the same
civilization. But similar stories told in Labrador and South Africa
are not likely to be genealogically related, because it is altogether
probable that the Esquimaux and the Zulu had acquired their present
race characteristics before either of them possessed a language or a
culture sufficient for the production of myths. According to the
nature and extent of the similarity, it must be decided whether such
stories have been carried about from one part of the world to another,
or have been independently originated in many different places.
Here the methods of philology suggest a rule which will often be
found useful. In comparing, the vocabularies
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of different languages, those words which directly imitate natural
sounds -- such as whiz, crash, crackle -- are not admitted as evidence
of kinship between the languages in which they occur. Resemblances
between such words are obviously no proof of a common ancestry; and
they are often met with in languages which have demonstrably had no
connection with each other. So in mythology, where we find two stories
of which the primitive character is perfectly transparent, we need
have no difficulty in supposing them to have originated independently.
The myth of Jack and his Beanstalk is found all over the world; but
the idea of a country above the sky, to which persons might gain
access by climbing, is one which could hardly fail to occur to every
barbarian. Among the American tribes, as well as among the Aryans, the
rainbow and the Milky-Way have contributed the idea of a Bridge of the
Dead, over which souls must pass on the way to the other world. In
South Africa, as well as in Germany, the habits of the fox and of his
brother the jackal have given rise to fables in which brute force is
overcome by cunning. In many parts of the world we find curiously
similar stories devised to account for the stumpy tails of the bear
and hyæna, the hairless tail of the rat, and the blindness of the
mole. And in all countries may be found the beliefs that men may be
changed into beasts, or plants, or stones; that the sun is in some way
tethered or constrained to follow a certain course; that the
storm-cloud is a ravenous dragon; and that there are talismans which
will reveal hidden treasures. All these conceptions are so obvious to
the uncivilized intelligence, that stories founded upon them need not
be supposed to have a common origin, unless there turns out to be a
striking similarity among their minor details. On the other hand,
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the numerous myths of an all-destroying deluge have doubtless arisen
partly from reminiscences of actually occurring local inundations, and
partly from the fact that the Scriptural account of a deluge has been
carried all over the world by Catholic and Protestant missionaries.3
By way of illustrating these principles, let us now cite a few of
the American myths so carefully collected by Dr. Brinton in his
admirable treatise. We shall not find in the mythology of the New
World the wealth of wit and imagination which has so long delighted us
in the stories of Herakles, Perseus, Hermes, Sigurd, and Indra. The
mythic lore of the American Indians is comparatively scanty and
prosaic, as befits the product of a lower grade of culture and a more
meagre intellect. Not only are the personages less characteristically
pourtrayed, but there is a continual tendency to extravagance, the
sure index of an inferior imagination. Nevertheless, after making due
allowances for differences in the artistic method of treatment, there
is between the mythologies of the Old and the New Worlds a fundamental
resemblance. We come upon solar myths and myths of the storm curiously
blended with culture-myths, as in the cases of Hermes, Prometheus, and
Kadmos. The American parallels to these are to be found in the stories
of Michabo, Viracocha, Ioskeha, and Quetzalcoatl. "As elsewhere the
world over, so in America, many tribes had to tell of .... an august
character, who taught them what they knew, -- the tillage of the soil,
the properties of plants, the art of picture-writing, the secrets of
magic; who founded their institutions and established their religions;
who governed them long with glory abroad and
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peace at home; and finally did not die, but, like Frederic Barbarossa,
Charlemagne, King Arthur, and all great heroes, vanished mysteriously,
and still lives somewhere, ready at the right moment to return to his
beloved people and lead them to victory and happiness."4 Everyone is
familiar with the numerous legends of white-skinned, full-bearded
heroes, like the mild Quetzalcoatl, who in times long previous to
Columbus came from the far East to impart the rudiments of
civilization and religion to the red men. By those who first heard
these stories they were supposed, with naïve Euhemerism, to refer to
pre-Columbian visits of Europeans to this continent, like that of the
Northmen in the tenth century. But a scientific study of the subject
has dissipated such notions. These legends are far too numerous, they
are too similar to each other, they are too manifestly symbolical, to
admit of any such interpretation. By comparing them carefully with
each other, and with correlative myths of the Old World, their true
character soon becomes apparent.
One of the most widely famous of these culture-heroes was Manabozho
or Michabo, the Great Hare. With entire unanimity, says Dr. Brinton, the
various branches of the Algonquin race, "the Powhatans of Virginia, the
Lenni Lenape of the Delaware, the warlike hordes of New England, the
Ottawas of the far North, and the Western tribes, perhaps without
exception, spoke of this chimerical beast,' as one of the old
missionaries calls it, as their common ancestor. The totem, or clan,
which bore his name was looked up to with peculiar respect." Not only
was Michabo the ruler and guardian of these numerous tribes, -- he was
the founder of their religious rites, the inventor of picture-writing,
the ruler of the weather, the creator and preserver of earth and
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heaven. "From a grain of sand brought from the bottom of the primeval
ocean he fashioned the habitable land, and set it floating on the
waters till it grew to such a size that a strong young wolf, running
constantly, died of old age ere he reached its limits." He was also,
like Nimrod, a mighty hunter. "One of his footsteps measured eight
leagues, the Great Lakes were the beaver-dams he built, and when the
cataracts impeded his progress he tore them away with his hands."
"Sometimes he was said to dwell in the skies with his brother, the
Snow, or, like many great spirits, to have built his wigwam in the far
North on some floe of ice in the Arctic Ocean..... But in the oldest
accounts of the missionaries he was alleged to reside toward the East;
and in the holy formulæ of the meda craft, when the winds are invoked
to the medicine lodge, the East is summoned in his name, the door
opens in that direction, and there, at the edge of the earth where the
sun rises, on the shore of the infinite ocean that surrounds the land,
he has his house, and sends the luminaries forth on their daily
journeys."5 From such accounts as this we see that Michabo was no more
a wise instructor and legislator than Minos or Kadmos. Like these
heroes, he is a personification of the solar life-giving power, which
daily comes forth from its home in the east, making the earth to
rejoice. The etymology of his name confirms the otherwise clear
indications of the legend itself. It is compounded of michi, "great,"
and wabos, which means alike "hare" and "white." "Dialectic forms in
Algonquin for white are wabi, wape, wampi, etc.; for morning, wapan,
wapanch, opah; for east, wapa, wanbun, etc.; for day, wompan, oppan;
for light, oppung." So that Michabo is the Great White One, the God of
the Dawn and the East.
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And the etymological confusion, by virtue of which he acquired his
soubriquet of the Great Hare, affords a curious parallel to what has
often happened in Aryan and Semitic mythology, as we saw when
discussing the subject of werewolves.
Keeping in mind this solar character of Michabo, let us note how
full of meaning are the myths concerning him. In the first cycle of
these legends, "he is grandson of the Moon, his father is the West
Wind, and his mother, a maiden, dies in giving him birth at the moment
of conception. For the Moon is the goddess of night; the Dawn is her
daughter, who brings forth the Morning, and perishes herself in the
act; and the West, the spirit of darkness, as the East is of light,
precedes, and as it were begets the latter, as the evening does the
morning. Straightway, however, continues the legend, the son sought
the unnatural father to revenge the death of his mother, and then
commenced a long and desperate struggle. It began on the mountains.
The West was forced to give ground. Manabozho drove him across rivers
and over mountains and lakes, and at last he came to the brink of this
world. 'Hold,' cried he, 'my son, you know my power, and that it is
impossible to kill me.' What is this but the diurnal combat of light
and darkness, carried on from what time 'the jocund morn stands tiptoe
on the misty mountain-tops,' across the wide world to the sunset, the
struggle that knows no end, for both the opponents are immortal?"6
Even the Veda nowhere affords a more transparent narrative than
this. The Iroquois tradition is very similar. In it appear twin
brothers,7 born of a virgin mother,
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daughter of the Moon, who died in giving them life. Their names,
Ioskeha and Tawiskara, signify in the Oneida dialect the White One and
the Dark One. Under the influence of Christian ideas the contest
between the brothers has been made to assume a moral character, like
the strife between Ormuzd and Ahriman. But no such intention appears
in the original myth, and Dr. Brinton has shown that none of the
American tribes had any conception of a Devil. When the quarrel came
to blows, the dark brother was signally discomfited; and the
victorious Ioskeha, returning to his grandmother, "established his
lodge in the far East, on the horders of the Great Ocean, whence the
sun comes. In time he became the father of mankind, and special
guardian of the Iroquois." He caused the earth to bring forth, he
stocked the woods with game, and taught his children the use of fire.
"He it was who watched and watered their crops; 'and, indeed, without
his aid,' says the old missionary, quite out of patience with their
puerilities, 'they think they could not boil a pot.'" There was more
in it than poor Brébouf thought, as we are forcibly reminded by recent
discoveries in physical science. Even civilized men would find it
difficult to boil a pot without the aid of solar energy. Call him what
we will, -- Ioskeha, Michabo, or Phoibos, -- the beneficent Sun is the
master and sustainer of us all; and if we were to relapse into
heathenism, like Erckmann-Chatrian's innkeeper, we could not do better
than to select him as our chief object of worship.
The same principles by which these simple cases are explained
furnish also the key to the more complicated mythology of Mexico and
Peru. Like the deities just discussed, Viracocha, the supreme god of
the Quichuas, rises from the bosom of Lake Titicaca and journeys
westward,
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slaying with his lightnings the creatures who oppose him, until he
finally disappears in the Western Ocean. Like Aphrodite, he bears in
his name the evidence of his origin, Viracocha signifying "foam of the
sea"; and hence the "White One" (l'aube), the god of light rising
white on the horizon, like the foam on the surface of the waves. The
Aymaras spoke of their original ancestors as white; and to this day,
as Dr. Brinton informs us, the Peruvians call a white man Viracocha.
The myth of Quetzalcoatl is of precisely the same character. All these
solar heroes present in most of their qualities and achievements a
striking likeness to those of the Old World. They combine the
attributes of Apollo, Herakles, and Hermes. Like Herakles, they
journey from east to west, smiting the powers of darkness, storm, and
winter with the thunderbolts of Zeus or the unerring arrows of
Phoibos, and sinking in a blaze of glory on the western verge of the
world, where the waves meet the firmament. Or like Hermes, in a second
cycle of legends, they rise with the soft breezes of a summer morning,
driving before them the bright celestial cattle whose udders are heavy
with refreshing rain, fanning the flames which devour the forests,
blustering at the doors of wigwams, and escaping with weird laughter
through vents and crevices. The white skins and flowing beards of
these American heroes may be aptly compared to the fair faces and long
golden locks of their Hellenic compeers. Yellow hair was in all
probability as rare in Greece as a full beard in Peru or Mexico; but
in each case the description suits the solar character of the hero.
One important class of incidents, however is apparently quite absent
from the American legends. We frequently see the Dawn described as a
virgin mother who dies in giving birth to the Day; but nowhere do we
remember seeing
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her pictured as a lovely or valiant or crafty maiden, ardently wooed,
but speedily forsaken by her solar lover. Perhaps in no respect is the
superior richness and beauty of the Aryan myths more manifest than in
this. Brynhild, Urvasi, Medeia, Ariadne, Oinone, and countless other
kindred heroines, with their brilliant legends, could not be spared
from the mythology of our ancestors without, leaving it meagre indeed.
These were the materials which Kalidasa, the Attic dramatists, and the
bards of the Nibelungen found ready, awaiting their artistic treatment.
But the mythology of the New World, with all its pretty and agreeable
naïveté, affords hardly enough, either of variety in situation or of
complexity in motive, for a grand epic or a genuine tragedy.
But little reflection is needed to assure us that the imagination
of the barbarian, who either carries away his wife by brute force or
buys her from her relatives as he would buy a cow, could never have
originated legends in which maidens are lovingly solicited, or in
which their favour is won by the performance of deeds of valour. These
stories owe their existence to the romantic turn of mind which has
always characterized the Aryan, whose civilization, even in the times
before the dispersion of his race, was sufficiently advanced to allow
of his entertaining such comparatively exalted conceptions of the
relations between men and women. The absence of these myths from
barbaric folk-lore is, therefore, just what might be expected; but it
is a fact which militates against any possible hypothesis of the
common origin of Aryan and barbaric mythology. If there were any
genetic relationship between Sigurd and Ioskeha, between Herakles and
Michabo, it would be hard to tell why Brynhild and Iole should have
disappeared entirely from one whole group of legends, while retained,
in some
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form or other, throughout the whole of the other group. On the other
hand, the resemblances above noticed between Aryan and American
mythology fall very far short of the resemblances between the stories
told in different parts of the Aryan domain. No barbaric legend, of
genuine barbaric growth, has yet been cited which resembles any Aryan
legend as the story of Punchkin resembles the story of the Heartless
Giant. The myths of Michabo and Viracocha are direct copies, so to
speak, of natural phenomena, just as imitative words are direct copies
of natural sounds. Neither the Redskin nor the Indo-European had any
choice as to the main features of the career of his solar divinity. He
must be born of the Night, -- or of the Dawn, -- must travel westward,
must slay harassing demons. Eliminating these points of likeness, the
resemblance between the Aryan and barbaric legends is at once at an
end. Such an identity in point of details as that between the wooden
horse which enters Ilion, and the horse which bears Sigurd into the
place where Brynhild is imprisoned, and the Druidic steed which leaps
with Sculloge over the walls of Fiach's enchanted castle, is, I
believe, nowhere to be found after we leave Indo-European territory.
Our conclusion, therefore, must be, that while the legends of the
Aryan and the non-Aryan worlds contain common mythical elements, the
legends themselves are not of common origin. The fact that certain
mythical ideas are possessed alike by different races, shows that in
each case a similar human intelligence has been at work explaining
similar phenomena; but in order to prove a family relationship between
the culture of these different races, we need something more than
this. We need to prove not only a community of mythical ideas, but
also a community between the stories based upon these
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ideas. We must show not only that Michabo is like Herakles in those
striking features which the contemplation of solar phenomena would
necessarily suggest to the imagination of the primitive myth-maker,
but also that the two characters are similarly conceived, and that the
two careers agree in seemingly arbitrary points of detail, as is the
case in the stories of Punchkin and the Heartless Giant. The mere fact
that solar heroes, all over the world, travel in a certain path and
slay imps of darkness is of great value as throwing light upon
primeval habits of thought, but it is of no value as evidence for or
against an alleged community of civilization between different races.
The same is true of the sacredness universally attached to certain
numbers. Dr. Blinton's opinion that the sanctity of the number four in
nearly all systems of mythology is due to a primitive worship of the
cardinal points, becomes very probable when we recollect that the
similar pre-eminence of seven is almost demonstrably connected with
the adoration of the sun, moon, and five visible planets, which has
left its record in the structure and nomenclature of the Aryan and
Semitic week.8
In view of these considerations, the comparison of barbaric myths
with each other and with the legends of the Aryan world becomes doubly
interesting, as illustrating the similarity in the workings of the
untrained intelligence the world over. In our first paper we saw how
the moon-spots have been variously explained by Indo-Europeans, as a
man with a thorn-bush or as two children bearing a bucket of water on
a pole. In Ceylon it is
--------------------------------
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said that as Sakyamuni was one day wandering half starved in the
forest, a pious hare met him, and offered itself to him to be slain
and cooked for dinner; whereupon the holy Buddha set it on high in the
moon, that future generations of men might see it and marvel at its
piety. In the Samoan Islands these dark patches are supposed to be
portions of a woman's figure. A certain woman was once hammering
something with a mallet, when the moon arose, looking so much like a
bread-fruit that the woman asked it to come down and let her child eat
off a piece of it; but the moon, enraged at the insult, gobbled up
woman, mallet, and child, and there, in the moon's belly, you may
still behold them. According to the Hottentots, the Moon once sent the
Hare to inform men that as she died away and rose again, so should men
die and again come to life. But the stupid Hare forgot the purport of
the message, and, coming down to the earth, proclaimed it far and wide
that though the Moon was invariably resuscitated whenever she died,
mankind, on the other hand, should die and go to the Devil. When the
silly brute returned to the lunar country and told what he had done,
the Moon was so angry that she took up an axe and aimed a blow at his
head to split it. But the axe missed and only cut his lip open; and
that was the origin of the "hare-lip." Maddened by the pain and the
insult, the Hare flew at the Moon and almost scratched her eyes out;
and to this day she bears on her face the marks of the Hare's claws.9
Again, every reader of the classics knows how Selene cast Endymion
into a profound slumber because he refused her love, and how at
sundown she used to come
--------------------------------
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and stand above him on the Latmian hill, and watch him as he lay
asleep on the marble steps of a temple half hidden among drooping
elm-trees, over which clambered vines heavy with dark blue grapes.
This represents the rising moon looking down on the setting sun; in
Labrador a similar phenomenon has suggested a somewhat different
story. Among the Esquimaux the Sun is a maiden and the Moon is her
brother, who is overcome by a wicked passion for her. Once, as this
girl was at a dancing-party in a friend's hut, some one came up and
took hold of her by the shoulders and shook her, which is (according
to the legend) the Esquimaux manner of declaring one's love. She could
not tell who it was in the dark, and so she dipped her hand in some
soot and smeared one of his cheeks with it. When a light was struck in
the hut, she saw, to her dismay, that it was her brother, and, without
waiting to learn any more, she took to her heels. He started in hot
pursuit, and so they ran till they got to the end of the world, -- the
jumping-off place, -- when they both jumped into the sky. There the
Moon still chases his sister, the Sun; and every now and then he turns
his sooty cheek toward the earth, when he becomes so dark that you
cannot see him.10
Another story, which I cite from Mr. Tylor, shows that Malays, as
well as Indo-Europeans, have conceived of the clouds as swan-maidens.
In the island of Celebes it is said that "seven heavenly nymphs came
down from the sky to bathe, and they were seen by Kasimbaha, who
thought first that they were white doves, but in the bath he saw that
they were women. Then he stole one of the thin robes that gave the
nymphs their power of flying, and so he caught Utahagi, the one whose
robe he had stolen, and took her for his wife, and she bore him a son.
--------------------------------
-163-
Now she was called Utahagi from a single white hair she had, which was
endowed with magic power, and this hair her husband pulled out. As
soon as he had done it, there arose a great storm, and Utahagi went up
to heaven. The child cried for its mother, and Kasimbaha was in great
grief, and cast about how he should follow Utahagi up into the sky."
Here we pass to the myth of Jack and the Beanstalk. "A rat gnawed the
thorns off the rattans, and Kasimbaha clambered up by them with his
son upon his back, till he came to heaven. There a little bird showed
him the house of Utahagi, and after various adventures he took up his
abode among the gods."11
In Siberia we find a legend of swan-maidens, which also reminds us
of the story of the Heartless Giant. A certain Samojed once went out
to catch foxes, and found seven maidens swimming in a lake surrounded
by gloomy pine-trees, while their feather dresses lay on the shore. He
crept up and stole one of these dresses, and by and by the swan-maiden
came to him shivering with cold and promising to become his wife if he
would only give her back her garment of feathers. The ungallant
fellow, however, did not care for a wife, but a little revenge was not
unsuited to his way of thinking. There were seven robbers who used to
prowl about the neighbourhood, and who, when they got home, finding
their hearts in the way, used to hang them up on some pegs in the
tent. One of these robbers had killed the Samojed's mother; and so he
promised to return the swan-maiden's dress after she should have
procured for him these seven hearts. So she stole the hearts, and the
Samojed smashed six of them, and then woke up the seventh robber, and
told him to restore his mother to life, on pain of instant death,
--------------------------------
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Then the robber produced a purse containing the old woman's soul, and
going to the graveyard shook it over her bones, and she revived at
once. Then the Samojed smashed the seventh heart, and the robber died;
and so the swan-maiden got back her plumage and flew away rejoicing.12
Swan-maidens are also, according to Mr. Baring-Gould, found among
the Minussinian Tartars. But there they appear as foul demons, like
the Greek Harpies, who delight in drinking the blood of men slain in
battle. There are forty of them, who darken the whole firmament in
their flight; but sometimes they all coalesce into one great black
storm-fiend, who rages for blood, like a werewolf.
In South Africa we find the werewolf himself.13 A certain Hottentot
was once travelling with a Bushwoman and her child, when they
perceived at a distance a troop of wild horses. The man, being hungry,
asked the woman to turn herself into a lioness and catch one of these
horses, that they might eat of it; whereupon the woman set down her
child, and taking off a sort of petticoat made of human skin became
instantly transformed into a lioness, which rushed across the plain,
struck down a wild horse and lapped its blood. The man climbed a tree
in terror, and conjured his companion to resume her natural shape.
Then the lioness came back, and putting on the skirt made of human
skin reappeared as a woman, and took up her child, and the two friends
resumed their journey after making a meal of the horse's flesh.14
--------------------------------
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The werewolf also appears in North America, duly furnished with his
wolf-skin sack; but neither in America nor in Africa is he the genuine
European werewolf, inspired by a diabolic frenzy, and ravening for
human flesh. The barbaric myths testify to the belief that men can be
changed into beasts or have in some cases descended from beast
ancestors, but the application of this belief to the explanation of
abnormal cannibal cravings seems to have been confined to Europe. The
werewolf of the Middle Ages was not merely a transformed man, -- he
was an insane cannibal, whose monstrous appetite, due to the
machinations of the Devil, showed its power over his physical organism
by changing the shape of it. The barbaric werewolf is the product of a
lower and simpler kind of thinking. There is no diabolism about him;
for barbaric races, while believing in the existence of hurtful and
malicious fiends, have not a sufficiently vivid sense of moral
abnormity to form the conception of diabolism. And the cannibal
craving, which to the mediæval European was a phenomenon so strange as
to demand a mythological explanation, would not impress the barbarian
as either very exceptional or very blame-worthy.
In the folk-lore of the Zulus, one of the most quick-witted and
intelligent of African races, the cannibal possesses many features in
common with the Scandinavian Troll, who also has a liking for human
flesh. As we saw in the preceding paper, the Troll has very likely
derived some of his characteristics from reminiscences of the
barbarous races who preceded the Aryans in Central and Northern
Europe. In like manner the long-haired cannibal of Zulu nursery
literature, who is always represented as belonging to a distinct race,
has been supposed to be explained by the existence of inferior races
conquered
--------------------------------
-166-
and displaced by the Zulus. Nevertheless, as Dr. Callaway observes,
neither the long-haired mountain cannibals of Western Africa, nor the
Fulahs, nor the tribes of Eghedal described by Barth, "can be
considered as answering to the description of long-haired as given in
the Zulu legends of cannibals; neither could they possibly have formed
their historical basis..... It is perfectly clear that the cannibals
of the Zulu legends are not common men; they are magnified into giants
and magicians; they are remarkably swift and enduring; fierce and
terrible warriors." Very probably they may have a mythical origin in
modes of thought akin to those which begot the Panis of the Veda and
the Northern Trolls. The parallelism is perhaps the most remarkable
one which can be found in comparing barbaric with Aryan folk-lore.
Like the Panis and Trolls, the cannibals are represented as the foes
of the solar hero Uthlakanyana, who is almost as great a traveller as
Odysseus, and whose presence of mind amid trying circumstances is not
to be surpassed by that of the incomparable Boots. Uthlakanyana is as
precocious as Herakles or Hermes. He speaks before he is born, and no
sooner has he entered the world than he begins to outwit other people
and get possession of their property. He works bitter ruin for the
cannibals, who, with all their strength and fleetness, are no better
endowed with quick wit than the Trolls, whom Boots invariably
victimizes. On one of his journeys, Uthlakanyana fell in with a
cannibal. Their greetings were cordial enough, and they ate a bit of
leopard together, and began to build a house, and killed a couple of
cows, but the cannibal's cow was lean, while Uthlakanyana's was fat.
Then the crafty traveller, fearing that his companion might insist
upon having the fat cow, turned and said, "'Let the house be thatched
now
--------------------------------
-167-
then we can eat our meat. You see the sky, that we shall get wet.' The
cannibal said, 'You are right, child of my sister; you are a man
indeed in saying, let us thatch the house, for we shall get wet.'
Uthlakanyana said, 'Do you do it then; I will go inside, and push the
thatching-needle for you, in the house.' The cannibal went up. His
hair was very, very long. Uthlakanyana went inside and pushed the
needle for him. He thatched in the hair of the cannibal, tying it very
tightly; he knotted it into the thatch constantly, taking it by
separate locks and fastening it firmly, that it might be tightly
fastened to the house." Then the rogue went outside and began to eat
of the cow which was roasted. "The cannibal said, 'What are you about,
child of my sister? Let us just finish the house; afterwards we can do
that; we will do it together.' Uthlakanyana replied, 'Come down then.
I cannot go into the house any more. The thatching is finished.' The
cannibal assented. When he thought he was going to quit the house, he
was unable to quit it. He cried out saying, 'Child of my sister, how
have you managed your thatching?' Uthlakanyana said, 'See to it
yourself. I have thatched well, for I shall not have any dispute. Now
I am about to eat in peace; I no longer dispute with anybody, for I am
now alone with my cow.'" So the cannibal cried and raved and appealed
in vain to Uthlakanyana's sense of justice, until by and by "the sky
came with hailstones and lightning Uthlakanyana took all the meat into
the house; he stayed in the house and lit a fire. It hailed and
rained. The cannibal cried on the top of the house; he was struck with
the hailstones, and died there on the house. It cleared. Uthlakanyana
went out and said, 'Uncle, just come down, and come to me. It has
become clear. It no longer rains, and there is no more hail, neither is
--------------------------------
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there any more lightning. Why are you silent?' So Uthlakanyana ate his
cow alone, until he had finished it. He then went on his way."15
In another Zulu legend, a girl is stolen by cannibals, and shut up
in the rock Itshe-likantunjambili, which, like the rock of the Forty
Thieves, opens and shuts at the command of those who understand its
secret. She gets possession of the secret and escapes, and when the
monsters pursue her she throws on the ground a calabash full of
sesame, which they stop to eat. At last, getting tired of running, she
climbs a tree, and there she finds her brother, who, warned by a
dream, has come out to look for her. They ascend the tree together
until they come to a beautiful country well stocked with fat oxen.
They kill an ox, and while its flesh is roasting they amuse themselves
by making a stout thong of its hide. By and by one of the cannibals,
smelling the cooking meat, comes to the foot of the tree, and looking
up discovers the boy and girl in the sky-country! They invite him up
there; to share in their feast, and throw him an end of the thong by
which to climb up. When the cannibal is dangling midway between earth
and heaven, they let go the rope, and down he falls with a terrible
crash.16
In this story the enchanted rock opened by a talismanic formula
brings us again into contact with Indo-European folk-lore. And that
the conception has in both cases been suggested by the same natural
phenomenon is rendered probable by another Zulu tale, in which the
cannibal's cave is opened by a swallow which flies in the air. Here we
have the elements of a genuine lightning-myth.
--------------------------------
-169-
We see that among these African barbarians, as well as among our own
forefathers, the clouds have been conceived as birds carrying the
lightning which can cleave the rocks. In America we find the same
notion prevalent. The Dakotahs explain the thunder as "the sound of
the cloud-bird flapping his wings," and the Caribs describe the
lightning as a poisoned dart which the bird blows through a hollow
reed, after the Carib style of shooting.17 On the other hand, the
Kamtchatkans know nothing of a cloud-bird, but explain the lightning
as something analogous to the flames of a volcano. The Kamtchatkans
say that when the mountain goblins have got their stoves well heated
up, they throw overboard, with true barbaric shiftlessness, all the
brands not needed for immediate use, which makes a volcanic eruption.
So when it is summer on earth, it is winter in heaven; and the gods,
after heating up their stoves, throw away their spare kindlingwood,
which makes the lightning.18
When treating of Indo-European solar myths, we saw the unvarying,
unresting course of the sun variously explained as due to the
subjection of Herakles to Eurystheus, to the anger of Poseidon at
Odysseus, or to the curse laid upon the Wandering Jew. The barbaric
mind has worked at the same problem; but the explanations which it has
given are more childlike and more grotesque. A Polynesian myth tells
how the Sun used to race through the sky so fast that men could not
get enough daylight to hunt game for their subsistence. By and by an
inventive genius, named Maui, conceived the idea of catching the Sun
in a noose and making him go more deliberately. He plaited ropes and
made a strong net, and, arming himself with the jawbone of his
ancestress, Muri-ranga-whenua, called together all his brethren, and
--------------------------------
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they journeyed to the place where the Sun rises, and there spread the
net. When the Sun came up, he stuck his head and fore-paws into the
net, and while the brothers tightened the ropes so that they cut him
and made him scream for mercy, Maui beat him with the jawbone until he
became so weak that ever since he has only been able to crawl through
the sky. According to another Polynesian myth, there was once a
grumbling Radical, who never could be satisfied with the way in which
things are managed on this earth. This bold Radical set out to build a
stone house which should last forever; but the days were so short and
the stones so heavy that he despaired of ever accomplishing his
project. One night, as he lay awake thinking the matter over, it
occurred to him that if he could catch the Sun in a net, he could have
as much daylight as was needful in order to finish his house. So he
borrowed a noose from the god Itu, and, it being autumn, when the Sun
gets sleepy and stupid, he easily caught the luminary. The Sun cried
till his tears made a great freshet which nearly drowned the island;
but it was of no use; there he is tethered to this day.
Similar stories are met with in North America. A Dog-Rib Indian
once chased a squirrel up a tree until he reached the sky. There he
set a snare for the squirrel and climbed down again. Next day the Sun
was caught in the snare, and night came on at once. That is to say,
the sun was eclipsed. "Something wrong up there," thought the Indian,
"I must have caught the Sun"; and so he sent up ever so many animals
to release the captive. They were all burned to ashes, but at last the
mole, going up and burrowing out through the ground of the sky, (!)
succeeded in gnawing asunder the cords of the snare. Just as it thrust
its head out through the opening
--------------------------------
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made in the sky-ground, it received a flash of light which put its
eyes out, and that is why the mole is blind. The Sun got away, but has
ever since travelled more deliberately.19
These sun-myths, many more of which are to be found collected in
Mr. Tylor's excellent treatise on "The Early History of Mankind," well
illustrate both the similarity and the diversity of the results
obtained by the primitive mind, in different times and countries, when
engaged upon similar problems. No one would think of referring these
stories to a common traditional origin with the myths of Herakles and
Odysseus; yet both classes of tales were devised to explain the same
phenomenon. Both to the Aryan and to the Polynesian the steadfast but
deliberate journey of the sun through the firmament was a strange
circumstance which called for explanation; but while the meagre
intelligence of the barbarian could only attain to the quaint
conception of a man throwing a noose over the sun's head, the rich
imagination of the Indo-European created the noble picture of Herakles
doomed to serve the son of Sthenelos, in accordance with the
resistless decree of fate.
Another world-wide myth, which shows how similar are the mental
habits of uncivilized men, is the myth of the tortoise. The Hindu
notion of a great tortoise that lies beneath the earth and keeps it
from falling is familiar to every reader. According to one account,
this tortoise, swimming in the primeval ocean, bears the earth on his
back; but by and by, when the gods get ready to destroy mankind, the
tortoise will grow weary and sink under his load, and then the earth
will be overwhelmed by a deluge. Another legend tells us that when the
gods and demons took Mount Mandara for a churning-stick
--------------------------------
-172-
and churned the ocean to make ambrosia, the god Vishnu took on the
form of a tortoise and lay at the bottom of the sea, as a pivot for
the whirling mountain to rest upon. But these versions of the myth are
not primitive. In the original conception the world is itself a
gigantic tortoise swimming in a boundless ocean; the flat surface of
the earth is the lower plate which covers the reptile's belly; the
rounded shell which covers his back is the sky; and the human race
lives and moves and has its being inside of the tortoise. Now, as Mr.
Tylor has pointed out, many tribes of Redskins hold substantially the
same theory of the universe. They regard the tortoise as the symbol of
the world, and address it as the mother of mankind. Once, before the
earth was made, the king of heaven quarrelled with his wife, and gave
her such a terrible kick that she fell down into the sea. Fortunately
a tortoise received her on his back, and proceeded to raise up the
earth, upon which the heavenly woman became the mother of mankind.
These first men had white faces, and they used to dig in the ground to
catch badgers. One day a zealous burrower thrust his knife too far and
stabbed the tortoise, which immediately sank into the sea and drowned
all the human race save one man.20 In Finnish mythology the world is
not a tortoise, but it is an egg, of which the white part is the
ocean, the yolk is the earth, and the arched shell is the sky. In
India this is the mundane egg of Brahma; and it reappears among the
Yorubas as a pair of calabashes put together like oyster-shells, one
making a dome over the other. In Zulu-land the earth is a huge beast
called Usilosimapundu, whose face is a rock, and whose mouth is very
large and broad and red: "in some countries which were on his body it
was winter,
--------------------------------
-173-
and in others it was early harvest." Many broad rivers flow over his
back, and he is covered with forests and hills, as is indicated in his
name, which means "the rugose or knotty-backed beast." In this group
of conceptions may be seen the origin of Sindbad's great fish, which
lay still so long that sand and clay gradually accumulated upon its
back, and at last it became covered with trees. And lastly, passing
from barbaric folk-lore and from the Arabian Nights to the highest
level of Indo-European intelligence, do we not find both Plato and
Kepler amusing themselves with speculations in which the earth figures
as a stupendous animal?
[1] For the analysis of twelve, see my essay on "The Genesis of
Language," North American Review, October 1869, p. 320.
[2] Chips from a German Workshop, Vol. II. p. 246.
[3] For various legends of a deluge, see Baring-Gould, Legends of the
Patriarchs and Prophets, pp. 85-106.
[4] Brinton, Myths of the New World, p. 160.
[5] Brinton, op. cit. p. 163.
[6] Brinton, op. cit. p. 167.
[7] Corresponding, in various degrees, to the Asvins, the Dioskouroi,
and the brothers True and Untrue of Norse mythology.
[8] See Humboldt's Kosmos, Tom. III. pp. 469-476. A fetichistic regard
for the cardinal points has not always been absent from the minds of
persons instructed in a higher theology as witness a well-known
passage in Irenæus, and also the custom, well-nigh universal in
Europe, of building Christian churches in a line east and west.
[9] Bleek, Hottentot Fables and Tales, p. 72. Compare the Fiji story
of Ra Vula, the Moon, and Ra Kalavo, the Rat, in Tylor, Primitive
Culture, I. 321.
[10] Tylor, Early History of Mankind, p. 327.
[11] Tylor, op. cit., p. 346.
[12] Baring-Gould, Curious Myths, II. 299-302.
[13] Speaking of beliefs in the Malay Archipelago, Mr. Wallace says:
"It is universally believed in Lombock that some men have the power to
turn themselves into crocodiles, which they do for the sake of
devouring their enemies, and many strange tales are told of such
transformations." Wallace, Malay Archipelago, Vol. I. p. 251.
[14] Bleek, Hottentot Fables and Tales, p. 58.
[15] Callaway, Zulu Nursery Tales, pp. 27-30.
[16] Callaway, op. cit. pp. 142-152; cf. a similar story in which the
lion is fooled by the jackal. Bleek, op. cit. p. 7. I omit the sequel
of the tale.
[17] Brinton, op. cit. p. 104.
[18] Tylor, op. cit. p. 320.
[19] Tylor, op. cit. pp. 338-343.
[20] Tylor, op. cit. p. 336. November, 1870
Myths and Myth-makers - End of Chapter 5
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