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Myths and Myth-makers - Chapter 3
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III.
WEREWOLVES AND SWAN-MAIDENS.
IT is related by Ovid that Lykaon, king of Arkadia, once invited
Zeus to dinner, and served up for him a dish of human flesh, in order
to test the god's omniscience. But the trick miserably failed, and the
impious monarch received the punishment which his crime had merited.
He was transformed into a wolf, that he might henceforth feed upon the
viands with which he had dared to pollute the table of the king of
Olympos. From that time forth, according to Pliny, a noble Arkadian
was each year, on the festival of Zeus Lykaios, led to the margin of a
certain lake. Hanging his clothes upon a tree, he then plunged into
the water and became a wolf. For the space of nine years he roamed
about the adjacent woods, and then, if he had not tasted human flesh
during all this time, he was allowed to swim back to the place where
his clothes were hanging, put them on, and return to his natural form.
It is further related of a certain Demainetos, that, having once been
present at a human sacrifice to Zeus Lykaios, he ate of the flesh, and
was transformed into a wolf for a term of ten years.1
These and other similar mythical germs were developed by the
mediæval imagination into the horrible superstition of werewolves.
A werewolf, or loup-garou,2 was a person who had the
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power of transforming himself into a wolf, being endowed, while in the
lupine state, with the intelligence of a man, the ferocity of a wolf,
and the irresistible strength of a demon. The ancients believed in the
existence of such persons; but in the Middle Ages the metamorphosis
was supposed to be a phenomenon of daily occurrence, and even at the
present day, in secluded portions of Europe, the superstition is still
cherished by peasants. The belief, moreover, is supported by a vast
amount of evidence, which can neither be argued nor pooh-poohed into
insignificance. It is the business of the comparative mythologist to
trace the pedigree of the ideas from which such a conception may have
sprung; while to the critical historian belongs the task of
ascertaining and classifying the actual facts which this particular
conception was used to interpret.
The mediæval belief in werewolves is especially adapted to
illustrate the complicated manner in which divers mythical conceptions
and misunderstood natural occurrences will combine to generate a
long-enduring superstition. Mr. Cox, indeed, would have us believe
that the whole notion arose from an unintentional play upon words; but
the careful survey of the field, which has been taken by Hertz and
Baring-Gould, leads to the conclusion that many other circumstances
have been at work. The delusion, though doubtless purely mythical in
its origin, nevertheless presents in its developed state a curious
mixture of mythical and historical elements.
With regard to the Arkadian legend, taken by itself, Mr. Cox is
probably right. The story seems to belong to that large class of myths
which have been devised in order to explain the meaning of equivocal
words whose true significance has been forgotten. The epithet Lykaios,
as applied to Zeus, had originally no reference to wolves:
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it means "the bright one," and gave rise to lycanthropic legends only
because of the similarity in sound between the names for "wolf" and
"brightness." Aryan mythology furnishes numerous other instances of
this confusion. The solar deity, Phoibos Lykegenes, was originally the
"offspring of light"; but popular etymology made a kind of werewolf of
him by interpreting his name as the "wolf-born." The name of the hero
Autolykos means simply the "self-luminous"; but it was more frequently
interpreted as meaning "a very wolf," in allusion to the supposed
character of its possessor. Bazra, the name of the citadel of
Carthage, was the Punic word for "fortress"; but the Greeks confounded
it with byrsa, "a hide," and hence the story of the ox-hides cut into
strips by Dido in order to measure the area of the place to be
fortified. The old theory that the Irish were Phoenicians had a
similar origin. The name Fena, used to designate the old Scoti or
Irish, is the plural of Fion, "fair," seen in the name of the hero
Fion Gall, or "Fingal"; but the monkish chroniclers identified Fena
with Phoinix, whence arose the myth; and by a like misunderstanding of
the epithet Miledh, or "warrior," applied to Fion by the Gaelic bards,
there was generated a mythical hero, Milesius, and the soubriquet
"Milesian," colloquially employed in speaking of the Irish.3 So the
Franks explained the name of the town Daras, in Mesopotamia, by the
story that the Emperor Justinian once addressed the chief magistrate
with the exclamation, daras, "thou shalt give":4 the Greek chronicler,
Malalas, who spells the name Doras, informs us with equal complacency
that it was the place where Alexander overcame Codomannus with
[dgr.gif] [ogr.gif] [rgr.gif] [ugr.gif] , "the spear." A certain
passage in the Alps is called Scaletta,
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from its resemblance to a staircase; but according to a local
tradition it owes its name to the bleaching skeletons of a company of
Moors who were destroyed there in the eighth century, while attempting
to penetrate into Northern Italy. The name of Antwerp denotes the town
built at a "wharf"; but it sounds very much like the Flemish handt
werpen, "hand-throwing": "hence arose the legend of the giant who cut
of the hands of those who passed his castle without paying him
black-mail, and threw them into the Scheldt."5 In the myth of Bishop
Hatto, related in a previous paper, the Mäuse-thurm is a corruption of
maut-thurm; it means "customs-tower," and has nothing to do with mice
or rats. Doubtless this etymology was the cause of the floating myth
getting fastened to this particular place; that it did not give rise
to the myth itself is shown by the existence of the same tale in other
places. Somewhere in England there is a place called Chateau Vert; the
peasantry have corrupted it into Shot-over, and say that it has borne
that name ever since Little John shot over a high hill in the
neighbourhood.6 Latium means "the flat land"; but, according to
Virgil, it is the place where Saturn once hid (latuisset) from the
wrath of his usurping son Jupiter.7
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It was in this way that the constellation of the Great Bear received
its name. The Greek word arktos, answering to the Sanskrit riksha, meant
originally any bright object, and was applied to the bear -- for what
reason it would not be easy to state -- and to that constellation which
was most conspicuous in the latitude of the early home of the Aryans.
When the Greeks had long forgotten why these stars were called arktoi,
they symbolized them as a Great Bear fixed in the sky. So that, as Max
Müller observes, "the name of the Arctic regions rests on a
misunderstanding of a name framed thousands of years ago in Central
Asia, and the surprise with which many a thoughtful observer has looked
at these seven bright stars, wondering why they were ever called the
Bear, is removed by a reference to the early annals of human speech."
Among the Algonquins the sun-god Michabo was represented as a hare, his
name being compounded of michi, "great," and wabos, "a hare"; yet wabos
also meant "white," so that the god was doubtless originally called
simply "the Great White One." The same naïve process has made bears of
the Arkadians, whose name, like that of the Lykians, merely signified
that they were "children of light"; and the metamorphosis of Kallisto,
mother of Arkas, into a bear, and of Lykaon into a wolf, rests
apparently upon no other foundation than an erroneous etymology.
Originally Lykaon was neither man nor wolf; he was but another form of
Phoibos Lykegenes, the light-born sun, and, as Mr. Cox has shown, his
legend is but a variation of that of Tantalos, who in time of drought
offers to Zeus the flesh of his own offspring, the withered fruits,
and is punished for his impiety.
It seems to me, however, that this explanation, though valid as far
as it goes, is inadequate to explain all the
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features of the werewolf superstition, or to account for its presence
in all Aryan countries and among many peoples who are not of Aryan
origin. There can be no doubt that the myth-makers transformed Lykaon
into a wolf because of his unlucky name; because what really meant
"bright man" seemed to them to mean "wolf-man"; but it has by no means
been proved that a similar equivocation occurred in the case of all
the primitive Aryan werewolves, nor has it been shown to be probable
that among each people the being with the uncanny name got thus
accidentally confounded with the particular beast most dreaded by that
people. Etymology alone does not explain the fact that while Gaul has
been the favourite haunt of the man-wolf, Scandinavia has been
preferred by the man-bear, and Hindustan by the man-tiger. To account
for such a widespread phenomenon we must seek a more general cause.
Nothing is more strikingly characteristic of primitive thinking
than the close community of nature which it assumes between man and
brute. The doctrine of metempsychosis, which is found in some shape or
other all over the world, implies a fundamental identity between the
two; the Hindu is taught to respect the flocks browsing in the meadow,
and will on no account lift his hand against a cow, for who knows but
it may he his own grandmother? The recent researches of Mr. M'Lennan
and Mr. Herbert Spencer have served to connect this feeling with the
primeval worship of ancestors and with the savage customs of
totemism.8
The worship of ancestors seems to have been every
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where the oldest systematized form of fetichistic religion. The
reverence paid to the chieftain of the tribe while living was
continued and exaggerated after his death The uncivilized man is
everywhere incapable of grasping the idea of death as it is
apprehended by civilized people. He cannot understand that a man
should pass away so as to be no longer capable of communicating with
his fellows. The image of his dead chief or comrade remains in his
mind, and the savage's philosophic realism far surpasses that of the
most extravagant mediæval schoolmen; to him the persistence of the
idea implies the persistence of the reality. The dead man,
accordingly, is not really dead; he has thrown off his body like a
husk, yet still retains his old appearance, and often shows himself to
his old friends, especially after nightfall. He is no doubt possessed
of more extensive powers than before his transformation,9 and may very
likely have a share in regulating the weather, granting or withholding
rain. Therefore, argues the uncivilized mind, he is to be cajoled and
propitiated more sedulously now than before his strange
transformation.
This kind of worship still maintains a languid existence as the
state religion of China, and it still exists as a
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portion of Brahmanism; but in the Vedic religion it is to be seen in
all its vigour and in all its naïve simplicity. According to the
ancient Aryan, the Pitris, or "Fathers" (Lat. patres), live in the sky
along with Yama, the great original Pitri of mankind. This first man
came down from heaven in the lightning, and back to heaven both
himself and all his offspring must have gone. There they distribute
light unto men below, and they shine themselves as stars; and hence
the Christianized German peasant, fifty centuries later, tells his
children that the stars are angels' eyes, and the English cottager
impresses it on the youthful mind that it is wicked to point at the
stars, though why he cannot tell. But the Pitris are not stars only,
nor do they content themselves with idly looking down on the affairs
of men, after the fashion of the laissez-faire divinities of
Lucretius. They are, on the contrary, very busy with the weather; they
send rain, thunder, and lightning; and they especially delight in
rushing over the housetops in a great gale of wind, led on by their
chief, the mysterious huntsman, Hermes or Odin.
It has been elsewhere shown that the howling dog, or wish-hound of
Hermes, whose appearance under the windows of a sick person is such an
alarming portent, is merely the tempest personified. Throughout all
Aryan mythology the souls of the dead are supposed to ride on the
night-wind, with their howling dogs, gathering into their throng the
souls of those just dying as they pass by their houses.10 Sometimes
the whole complex conception is wrapped up in the notion of a single
dog, the messenger of the god of shades, who comes to summon the
departing
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soul. Sometimes, instead of a dog, we have a great ravening wolf who
comes to devour its victim and extinguish the sunlight of life, as
that old wolf of the tribe of Fenrir devoured little Red Riding-Hood
with her robe of scarlet twilight.11 Thus we arrive at a true werewolf
myth. The storm-wind, or howling Rakshasa of Hindu folk-lore, is "a
great misshapen giant with red beard and red hair, with pointed
protruding teeth, ready to lacerate and devour human flesh; his body
is covered with coarse, bristling hair, his huge mouth is open, he
looks from side to side as he walks, lusting after the flesh and blood
of men, to satisfy his raging hunger and quench his consuming thirst.
Towards nightfall his strength increases manifold; he can change his
shape at will; he haunts the woods, and roams howling through the
jungle."12
Now if the storm-wind is a host of Pitris, or one great Pitri who
appears as a fearful giant, and is also a pack of wolves or
wish-hounds, or a single savage dog or wolf, the inference is obvious
to the mythopoeic mind that men
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may become wolves, at least after death. And to the uncivilized
thinker this inference is strengthened, as Mr. Spencer has shown, by
evidence registered on his own tribal totem or heraldic emblem. The
bears and lions and leopards of heraldry are the degenerate
descendants of the totem of savagery which designated the tribe by a
beast-symbol. To the untutored mind there is everything in a name; and
the descendant of Brown Bear or Yellow Tiger or Silver Hyæna cannot be
pronounced unfaithful to his own style of philosophizing, if he
regards his ancestors, who career about his hut in the darkness of
night, as belonging to whatever order of beasts his totem associations
may suggest.
Thus we not only see a ray of light thrown on the subject of
metempsychosis, but we get a glimpse of the curious process by which
the intensely realistic mind of antiquity arrived at the notion that
men could be transformed into beasts. For the belief that the soul can
temporarily quit the body during lifetime has been universally
entertained; and from the conception of wolf-like ghosts it was but a
short step to the conception of corporeal werewolves. In the Middle
Ages the phenomena of trance and catalepsy were cited in proof of the
theory that the soul can leave the body and afterwards return to it.
Hence it was very difficult for a person accused of witchcraft to
prove an alibi; for to any amount of evidence showing that the body was
innocently reposing at home and in bed, the rejoinder was obvious that
the soul may nevertheless have been in attendance at the witches'
Sabbath or busied in maiming a neighbour's cattle. According to one
mediæval notion, the soul of the werewolf quit its human body, which
remained in a trance until its return.13
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The mythological basis of the werewolf superstition is now, I
believe, sufficiently indicated. The belief, however, did not reach
its complete development, or acquire its most horrible features, until
the pagan habits of thought which had originated it were modified by
contact with Christian theology. To the ancient there was nothing
necessarily diabolical in the transformation of a man into a beast.
But Christianity, which retained such a host of pagan conceptions
under such strange disguises, which degraded the "All-father" Odin
into the ogre of the castle to which Jack climbed on his bean-stalk,
and which blended the beneficent lightning-god Thor and the
mischievous Hermes and the faun-like Pan into the grotesque Teutonic
Devil, did not fail to impart a new and fearful character to the
belief in werewolves. Lycanthropy became regarded as a species of
witchcraft; the werewolf was supposed to have obtained his peculiar
powers through the favour or connivance of the Devil; and hundreds of
persons were burned alive or broken on the wheel for having availed
themselves of the privilege of beast-metamorphosis. The superstition,
thus widely extended and greatly intensified, was confirmed by many
singular phenomena which cannot be omitted from any thorough
discussion of the nature and causes of lycanthropy.
The first of these phenomena is the Berserker insanity,
characteristic of Scandinavia, but not unknown in other countries. In
times when killing one's enemies often formed a part of the necessary
business of life, persons were frequently found who killed for the
mere love of the thing; with whom slaughter was an end desirable in
itself, not merely a means to a desirable end. What the miser is in an
age which worships mammon, such was the Berserker in an age when the
current idea of heaven
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was that of a place where people could hack each other to pieces
through all eternity, and when the man who refused a challenge was
punished with confiscation of his estates. With these Northmen, in the
ninth century, the chief business and amusement in life was to set
sail for some pleasant country, like Spain or France, and make all the
coasts and navigable rivers hideous with rapine and massacre. When at
home, in the intervals between their freebooting expeditions, they
were liable to become possessed by a strange homicidal madness, during
which they would array themselves in the skins of wolves or bears, and
sally forth by night to crack the backbones, smash the skulls, and
sometimes to drink with fiendish glee the blood of unwary travellers
or loiterers. These fits of madness were usually followed by periods
of utter exhaustion and nervous depression.14
Such, according to the unanimous testimony of historians, was the
celebrated "Berserker rage," not peculiar to the Northland, although
there most conspicuously manifested. Taking now a step in advance, we
find that in comparatively civilized countries there have been many
cases of monstrous homicidal insanity. The two most celebrated cases,
among those collected by Mr. Baring-Gould, are those of the Maréchal
de Retz, in 1440, and of Elizabeth, a Hungarian countess, in the
seventeenth century. The Countess Elizabeth enticed young girls into
her palace on divers pretexts, and then coolly murdered them, for the
purpose of bathing in their blood. The spectacle of human suffering
became at last such
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a delight to her, that she would apply with her own hands the most
excruciating tortures, relishing the shrieks of her victims as the
epicure relishes each sip of his old Château Margaux. In this way she
is said to have murdered six hundred and fifty persons before her evil
career was brought to an end; though, when one recollects the famous
men in buckram and the notorious trio of crows, one is inclined to
strike off a cipher, and regard sixty-five as a sufficiently imposing
and far less improbable number. But the case of the Maréchal de Retz
is still more frightful. A marshal of France, a scholarly man, a
patriot, and a man of holy life, he became suddenly possessed by an
uncontrollable desire to murder children. During seven years he
continued to inveigle little boys and girls into his castle, at the
rate of about two each week, (?) and then put them to death in various
ways, that he might witness their agonies and bathe in their blood;
experiencing after each occasion the most dreadful remorse, but led on
by an irresistible craving to repeat the crime. When this unparalleled
iniquity was finally brought to light, the castle was found to contain
bins full of children's bones. The horrible details of the trial are
to be found in the histories of France by Michelet and Martin.
Going a step further, we find cases in which the propensity to
murder has been accompanied by cannibalism. In 1598 a tailor of
Châlons was sentenced by the parliament of Paris to be burned alive
for lycanthropy. "This wretched man had decoyed children into his
shop, or attacked them in the gloaming when they strayed in the woods,
had torn them with his teeth and killed them, after which he seems
calmly to have dressed their flesh as ordinary meat, and to have eaten
it with a great relish. The number of little innocents whom he
destroyed is unknown.
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A whole caskful of bones was discovered in his house."15 About 1850 a
beggar in the village of Polomyia, in Galicia, was proved to have
killed and eaten fourteen children. A house had one day caught fire
and burnt to the ground, roasting one of the inmates, who was unable
to escape. The beggar passed by soon after, and, as he was suffering
from excessive hunger, could not resist the temptation of making a
meal off the charred body. From that moment he was tormented by a
craving for human flesh. He met a little orphan girl, about nine years
old, and giving her a pinchbeck ring told her to seek for others like
it under a tree in the neighbouring wood. She was slain, carried to
the beggar's hovel, and eaten. In the course of three years thirteen
other children mysteriously disappeared, but no one knew whom to
suspect. At last an innkeeper missed a pair of ducks, and having no
good opinion of this beggar's honesty, went unexpectedly to his cabin,
burst suddenly in at the door, and to his horror found him in the act
of hiding under his cloak a severed head; a bowl of fresh blood stood
under the oven, and pieces of a thigh were cooking over the fire.16
This occurred only about twenty years ago, and the criminal, though
ruled by an insane appetite, is not known to have been subject to any
mental delusion. But there have been a great many similar cases, in
which the homicidal or cannibal craving has been accompanied by
genuine hallucination. Forms of insanity in which the afflicted
persons imagine themselves to be brute animals are not perhaps very
common, but they are not unknown. I once knew a poor demented old man
who believed himself to be a horse, and would stand by the hour
together before a manger, nibbling hay, or deluding
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himself with the presence of so doing. Many of the cannibals whose
cases are related by Mr. Baring-Gould, in his chapter of horrors,
actually believed themselves to have been transformed into wolves or
other wild animals. Jean Grenier was a boy of thirteen, partially
idiotic, and of strongly marked canine physiognomy; his jaws were
large and projected forward, and his canine teeth were unnaturally
long, so as to protrude beyond the lower lip. He believed himself to
be a werewolf. One evening, meeting half a dozen young girls, he
scared them out of their wits by telling them that as soon as the sun
had set he would turn into a wolf and eat them for supper. A few days
later, one little girl, having gone out at nightfall to look after the
sheep, was attacked by some creature which in her terror she mistook
for a wolf, but which afterwards proved to be none other than Jean
Grenier. She beat him off with her sheep-staff, and fled home. As
several children had mysteriously disappeared from the neighbourhood,
Grenier was at once suspected. Being brought before the parliament of
Bordeaux, he stated that two years ago he had met the Devil one night
in the woods and had signed a compact with him and received from him a
wolf-skin. Since then he had roamed about as a wolf after dark,
resuming his human shape by daylight. He had killed and eaten several
children whom he had found alone in the fields, and on one occasion he
had entered a house while the family were out and taken the baby from
its cradle. A careful investigation proved the truth of these
statements, so far as the cannibalism was concerned. There is no doubt
that the missing children were eaten by Jean Grenier, and there is no
doubt that in his own mind the half-witted boy was firmly convinced
that he was a wolf. Here the lycanthropy was complete.
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In the year 1598, "in a wild and unfrequented spot near Caude, some
countrymen came one day upon the corpse of a boy of fifteen, horribly
mutilated and bespattered with blood. As the men approached, two
wolves, which had been rending the body, bounded away into the
thicket. The men gave chase immediately, following their bloody tracks
till they lost them; when, suddenly crouching among the bushes, his
teeth chattering with fear, they found a man half naked, with long
hair and beard, and with his hands dyed in blood. His nails were long
as claws, and were clotted with fresh gore and shreds of human
flesh."17
This man, Jacques Roulet, was a poor, half-witted creature under
the dominion of a cannibal appetite. He was employed in tearing to
pieces the corpse of the boy when these countrymen came up. Whether
there were any wolves in the case, except what the excited
imaginations of the men may have conjured up, I will not presume to
determine; but it is certain that Roulet supposed himself to be a
wolf, and killed and ate several persons under the influence of the
delusion. He was sentenced to death, but the parliament of Paris
reversed the sentence, and charitably shut him up in a madhouse.
The annals of the Middle Ages furnish many cases similar to these
of Grenier and Roulet. Their share in maintaining the werewolf
superstition is undeniable; but modern science finds in them nothing
that cannot be readily explained. That stupendous process of breeding,
which we call civilization, has been for long ages strengthening those
kindly social feelings by the possession of which we are chiefly
distinguished from the brutes, leaving our primitive bestial impulses
to die for want of exercise, or checking in every possible way their
further
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expansion by legislative enactments. But this process, which is
transforming us from savages into civilized men, is a very slow one;
and now and then there occur cases of what physiologists call atavism,
or reversion to an ancestral type of character. Now and then persons
are born, in civilized countries, whose intellectual powers are on a
level with those of the most degraded Australian savage, and these we
call idiots. And now and then persons are born possessed of the
bestial appetites and cravings of primitive man, his fiendish cruelty
and his liking for human flesh. Modern physiology knows how to
classify and explain these abnormal cases, but to the unscientific
mediæval mind they were explicable only on the hypothesis of a
diabolical metamorphosis. And there is nothing strange in the fact
that, in an age when the prevailing habits of thought rendered the
transformation of men into beasts an easily admissible notion, these
monsters of cruelty and depraved appetite should have been regarded as
capable of taking on bestial forms. Nor is it strange that the
hallucination under which these unfortunate wretches laboured should
have taken such a shape as to account to their feeble intelligence for
the existence of the appetites which they were conscious of not
sharing with their neighbours and contemporaries. If a myth is a piece
of unscientific philosophizing, it must sometimes be applied to the
explanation of obscure psychological as well as of physical phenomena.
Where the modern calmly taps his forehead and says, "Arrested
development," the terrified ancient made the sign of the cross and
cried, "Werewolf."
We shall be assisted in this explanation by turning aside for a
moment to examine the wild superstitions about "changelings," which
contributed, along with so many others, to make the lives of our
ancestors anxious
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and miserable. These superstitions were for the most part attempts to
explain the phenomena of insanity, epilepsy, and other obscure nervous
diseases. A man who has hitherto enjoyed perfect health, and whose
actions have been consistent and rational, suddenly loses all
self-control and seems actuated by a will foreign to himself. Modern
science possesses the key to this phenomenon; but in former times it
was explicable only on the hypothesis that a demon had entered the
body of the lunatic, or else that the fairies had stolen the real man
and substituted for him a diabolical phantom exactly like him in
stature and features. Hence the numerous legends of changelings, some
of which are very curious. In Irish folk-lore we find the story of one
Rickard, surnamed the Rake, from his worthless character. A
good-natured, idle fellow, he spent all his evenings in dancing, -- an
accomplishment in which no one in the village could rival him. One
night, in the midst of a lively reel, he fell down in a fit. "He 's
struck with a fairy-dart," exclaimed all the friends, and they carried
him home and nursed him; but his face grew so thin and his manner so
morose that by and by all began to suspect that the true Rickard was
gone and a changeling put in his place. Rickard, with all his
accomplishments, was no musician; and so, in order to put the matter
to a crucial test, a bagpipe was left in the room by the side of his
bed. The trick succeeded. One hot summer's day, when all were supposed
to be in the field making hay, some members of the family secreted in
a clothes-press saw the bedroom door open a little way, and a lean,
foxy face, with a pair of deep-sunken eyes, peer anxiously about the
premises. Having satisfied itself that the coast was clear, the face
withdrew, the door was closed, and presently such ravishing strains of
music were heard as never proceeded from
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a bagpipe before or since that day. Soon was heard the rustle of
innumerable fairies, come to dance to the changeling's music. Then the
"fairy-man" of the village, who was keeping watch with the family,
heated a pair of tongs red-hot, and with deafening shouts all burst at
once into the sick-chamber. The music had ceased and the room was
empty, but in at the window glared a fiendish face, with such fearful
looks of hatred, that for a moment all stood motionless with terror.
But when the fairy-man, recovering himself, advanced with the hot
tongs to pinch its nose, it vanished with an unearthly yell, and there
on the bed was Rickard, safe and sound, and cured of his epilepsy.18
Comparing this legend with numerous others relating to changelings,
and stripping off the fantastic garb of fairy-lore with which popular
imagination has invested them, it seems impossible to doubt that they
have arisen from myths devised for the purpose of explaining the
obscure phenomena of mental disease. If this be so, they afford an
excellent collateral illustration of the belief in werewolves. The
same mental habits which led men to regard the insane or epileptic
person as a changeling, and which allowed them to explain catalepsy as
the temporary departure of a witch's soul from its body, would enable
them to attribute a wolf's nature to the maniac or idiot with cannibal
appetites. And when the myth-forming process had got thus far, it
would not stop short of assigning to the unfortunate wretch a tangible
lupine body; for all ancient mythology teemed with precedents for such
a transformation.
It remains for us to sum up, -- to tie into a bunch the keys which
have helped us to penetrate into the secret causes of the werewolf
superstition. In a previous
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paper we saw what a host of myths, fairy-tales, and superstitious
observances have sprung from attempts to interpret one simple natural
phenomenon, -- the descent of fire from the clouds. Here, on the other
hand, we see what a heterogeneous multitude of mythical elements may
combine to build up in course of time a single enormous superstition,
and we see how curiously fact and fancy have co-operated in keeping
the superstition from falling. In the first place the worship of dead
ancestors with wolf totems originated the notion of the transformation
of men into divine or superhuman wolves; and this notion was confirmed
by the ambiguous explanation of the storm-wind as the rushing of a
troop of dead men's souls or as the howling of wolf-like monsters.
Mediæval Christianity retained these conceptions, merely changing the
superhuman wolves into evil demons; and finally the occurrence of
cases of Berserker madness and cannibalism, accompanied by lycanthropic
hallucinations, being interpreted as due to such demoniacal
metamorphosis, gave rise to the werewolf superstition of the Middle
Ages. The etymological proceedings, to which Mr. Cox would incontinently
ascribe the origin of the entire superstition, seemed to me to have
played a very subordinate part in the matter. To suppose that Jean
Grenier imagined himself to be a wolf, because the Greek word for wolf
sounded like the word for light, and thus gave rise to the story of a
light-deity who became a wolf, seems to me quite inadmissible. Yet as
far as such verbal equivocations may have prevailed, they doubtless
helped to sustain the delusion.
Thus we need no longer regard our werewolf as an inexplicable
creature of undetermined pedigree. But any account of him would be
quite imperfect which should omit all consideration of the methods by
which his
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change of form was accomplished. By the ancient Romans the werewolf
was commonly called a "skin-changer" or "turn-coat" (versipellis), and
similar epithets were applied to him in the Middle Ages The mediæval
theory was that, while the werewolf kept his human form, his hair grew
inwards; when he wished to become a wolf, he simply turned himself
inside out. In many trials on record, the prisoners were closely
interrogated as to how this inversion might be accomplished; but I am
not aware that any one of them ever gave a satisfactory answer. At the
moment of change their memories seem to have become temporarily
befogged. Now and then a poor wretch had his arms and legs cut off, or
was partially flayed, in order that the ingrowing hair might be
detected.19 Another theory was, that the possessed person had merely
to put on a wolf's skin, in order to assume instantly the lupine form
and character; and in this may perhaps be seen a vague reminiscence of
the alleged fact that Berserkers were in the habit of haunting the
woods by night, clothed in the hides of wolves or bears.20 Such
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a wolfskin was kept by the boy Grenier. Roulet, on the other hand,
confessed to using a magic salve or ointment. A fourth method of
becoming a werewolf was to obtain a girdle, usually made of human
skin. Several cases are related in Thorpe's "Northern Mythology." One
hot day in harvest-time some reapers lay down to sleep in the shade;
when one of them, who could not sleep, saw the man next him arise
quietly and gird him with a strap, whereupon he instantly vanished,
and a wolf jumped up from among the sleepers and ran off across the
fields. Another man, who possessed such a girdle, once went away from
home without remembering to lock it up. His little son climbed up to
the cupboard and got it, and as he proceeded to buckle it around his
waist, he became instantly transformed into a strange-looking beast.
Just then his father came in, and seizing the girdle restored the
child to his natural shape. The boy said that no sooner had he buckled
it on than he was tormented with a raging hunger.
Sometimes the werewolf transformation led to unlucky accidents. At
Caseburg, as a man and his wife were making hay, the woman threw down
her pitchfork and went away, telling her husband that if a wild beast
should come to him during her absence he must throw his hat at it.
Presently a she-wolf rushed towards him. The man threw his hat at it,
but a boy came up from another part of the field and stabbed the
animal with his pitchfork, whereupon it vanished, and the woman's dead
body lay at his feet.
A parallel legend shows that this woman wished to
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have the hat thrown at her, in order that she might be henceforth free
from her liability to become a werewolf. A man was one night returning
with his wife from a merry-making when he felt the change coming on.
Giving his wife the reins, he jumped from the wagon, telling her to
strike with her apron at any animal which might come to her. In a few
moments a wolf ran up to the side of the vehicle, and, as the woman
struck out with her apron, it bit off a piece and ran away. Presently
the man returned with the piece of apron in his mouth and consoled his
terrified wife with the information that the enchantment had left him
forever.
A terrible case at a village in Auvergne has found its way into the
annals of witchcraft. "A gentleman while hunting was suddenly attacked
by a savage wolf of monstrous size. Impenetrable by his shot, the
beast made a spring upon the helpless huntsman, who in the struggle
luckily, or unluckily for the unfortunate lady, contrived to cut off
one of its fore-paws. This trophy he placed in his pocket, and made
the best of his way homewards in safety. On the road he met a friend,
to whom he exhibited a bleeding paw, or rather (as it now appeared) a
woman's hand, upon which was a wedding-ring. His wife's ring was at
once recognized by the other. His suspicions aroused, he immediately
went in search of his wife, who was found sitting by the fire in the
kitchen, her arm hidden beneath her apron, when the husband, seizing
her by the arm, found his terrible suspicions verified. The bleeding
stump was there, evidently just fresh from the wound. She was given
into custody, and in the event was burned at Riom, in presence of
thousands of spectators."21
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Sometimes a werewolf was cured merely by recognizing him while in
his brute shape. A Swedish legend tells of a cottager who, on entering
the forest one day without recollecting to say his Pater Noster,
got into the power of a Troll, who changed him into a wolf. For many
years his wife mourned him as dead. But one Christmas eve the old
Troll, disguised as a beggar-woman, came to the house for alms; and
being taken in and kindly treated, told the woman that her husband
might very likely appear to her in wolf-shape. Going at night to the
pantry to lay aside a joint of meat for tomorrow's dinner, she saw a
wolf standing with its paws on the window-sill, looking wistfully in
at her. "Ah, dearest," said she, "if I knew that thou wert really my
husband, I would give thee a bone." Whereupon the wolf-skin fell off,
and her husband stood before her in the same old clothes which he had
on the day that the Troll got hold of him.
In Denmark it was believed that if a woman were to creep through a
colt's placental membrane stretched between four sticks, she would for
the rest of her life bring forth children without pain or illness; but
all the boys would in such case be werewolves, and all the girls
Maras, or nightmares. In this grotesque superstition appears that
curious kinship between the werewolf and the wife or maiden of
supernatural race, which serves admirably to illustrate the nature of
both conceptions, and the elucidation of which shall occupy us
throughout the remainder of this paper.
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It is, perhaps, needless to state that in the personality of the
nightmare, or Mara, there was nothing equine. The Mara was a female
demon,22 who would come at night and torment men or women by crouching
on their chests or stomachs and stopping their respiration. The scene
is well enough represented in Fuseli's picture, though the
frenzied-looking horse which there accompanies the demon has no place
in the original superstition. A Netherlandish story illustrates the
character of the Mara. Two young men were in love with the same
damsel. One of them, being tormented every night by a Mara, sought
advice from his rival, and it was a treacherous counsel that he got.
"Hold a sharp knife with the point towards your breast, and you 'll
never see the Mara again," said this false friend. The lad thanked
him, but when he lay down to rest he thought it as well to be on the
safe side, and so held the knife handle downward. So when the Mara
came, instead of forcing the blade into his breast, she cut herself
badly, and fled howling; and let us hope, though the legend here
leaves us in the dark, that this poor youth, who is said to have been
the comelier of the two, revenged himself on his malicious rival by
marrying the young lady.
But the Mara sometimes appeared in less revolting shape, and became
the mistress or even the wife of some mortal man to whom she happened
to take a fancy. In such cases she would vanish on being recognized.
There is a well-told monkish tale of a pious knight who, journeying
one day through the forest, found a beautiful lady stripped naked and
tied to a tree, her back all covered with deep gashes streaming with
blood, from a flogging
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which some bandits had given her. Of course he took her home to his
castle and married her, and for a while they lived very happily
together, and the fame of the lady's beauty was so great that kings
and emperors held tournaments in honor of her. But this pious knight
used to go to mass every Sunday, and greatly was he scandalized when
he found that his wife would never stay to assist in the Credo, but
would always get up and walk out of church just as the choir struck
up. All her husband's coaxing was of no use; threats and entreaties
were alike powerless even to elicit an explanation of this strange
conduct. At last the good man determined to use force; and so one
Sunday, as the lady got up to go out, according to custom, he seized
her by the arm and sternly commanded her to remain. Her whole frame
was suddenly convulsed, and her dark eyes gleamed with weird,
unearthly brilliancy. The services paused for a moment, and all eyes
were turned toward the knight and his lady. "In God's name, tell me
what thou art," shouted the knight; and instantly, says the
chronicler, "the bodily form of the lady melted away, and was seen no
more; whilst, with a cry of anguish and of terror, an evil spirit of
monstrous form rose from the ground, clave the chapel roof asunder,
and disappeared in the air."
In a Danish legend, the Mara betrays her affinity to the Nixies, or
Swan-maidens. A peasant discovered that his sweetheart was in the
habit of coming to him by night as a Mara. He kept strict watch until
he discovered her creeping into the room through a small knot-hole in
the door. Next day he made a peg, and after she had come to him, drove
in the peg so that she was unable to escape. They were married and
lived together many years; but one night it happened that the
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man, joking with his wife about the way in which he had secured her,
drew the peg from the knot-hole, that she might see how she had
entered his room. As she peeped through, she became suddenly quite
small, passed out, and was never seen again.
The well-known pathological phenomena of nightmare are sufficient
to account for the mediæval theory of a fiend who sits upon one's
bosom and hinders respiration; but as we compare these various legends
relating to the Mara, we see that a more recondite explanation is
needed to account for all her peculiarities. Indigestion may interfere
with our breathing, but it does not make beautiful women crawl through
keyholes, nor does it bring wives from the spirit-world. The Mara
belongs to an ancient family, and in passing from the regions of
monkish superstition to those of pure mythology we find that, like her
kinsman the werewolf, she had once seen better days. Christianity made
a demon of the Mara, and adopted the theory that Satan employed these
seductive creatures as agents for ruining human souls. Such is the
character of the knight's wife, in the monkish legend just cited. But
in the Danish tale the Mara appears as one of that large family of
supernatural wives who are permitted to live with mortal men under
certain conditions, but who are compelled to flee away when these
conditions are broken, as is always sure to be the case. The eldest
and one of the loveliest of this family is the Hindu nymph Urvasi,
whose love adventures with Purûravas are narrated in the Puranas, and
form the subject of the well-known and exquisite Sanskrit drama by
Kalidasa. Urvasi is allowed to live with Purûravas so long as she does
not see him undressed. But one night her kinsmen, the Gandharvas, or
cloud-demons, vexed at her long absence from heaven, resolved to get
her away from her mortal companion,
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They stole a pet lamb which had been tied at the foot of her couch,
whereat she bitterly upbraided her husband. In rage and mortification,
Purûravas sprang up without throwing on his tunic, and grasping his
sword sought the robber. Then the wicked Gandharvas sent a flash of
lightning, and Urvasi, seeing her naked husband, instantly vanished.
The different versions of this legend, which have been elaborately
analyzed by comparative mythologists, leave no doubt that Urvasi is
one of the dawn-nymphs or bright fleecy clouds of early morning, which
vanish as the splendour of the sun is unveiled. We saw, in the
preceding paper, that the ancient Aryans regarded the sky as a sea or
great lake, and that the clouds were explained variously as Phaiakian
ships with bird-like beaks sailing over this lake, or as bright birds
of divers shapes and hues. The light fleecy cirrhi were regarded as
mermaids, or as swans, or as maidens with swan's plumage. In Sanskrit
they are called Apsaras, or "those who move in the water," and the
Elves and Maras of Teutonic mythology have the same significance.
Urvasi appears in one legend as a bird; and a South German prescription
for getting rid of the Mara asserts that if she be wrapped up in the
bedclothes and firmly held, a white dove will forthwith fly from the
room, leaving the bedclothes empty.23
In the story of Melusina the cloud-maiden appears as a kind of
mermaid, but in other respects the legend resembles that of Urvasi.
Raymond, Count de la Forêt, of Poitou, having by an accident killed
his patron and benefactor during a hunting excursion, fled in terror
and
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despair into the deep recesses of the forest. All the afternoon and
evening he wandered through the thick dark woods, until at midnight he
came upon a strange scene. All at once "the boughs of the trees became
less interlaced, and the trunks fewer; next moment his horse, crashing
through the shrubs, brought him out on a pleasant glade, white with
rime, and illumined by the new moon; in the midst bubbled up a limpid
fountain, and flowed away over a pebbly-floor with a soothing murmur.
Near the fountain-head sat three maidens in glimmering white dresses,
with long waving golden hair, and faces of inexpressible beauty."24
One of them advanced to meet Raymond, and according to all
mythological precedent, they were betrothed before daybreak. In due
time the fountain-nymph25 became Countess de la Forêt, but her husband
was given to understand that all her Saturdays would be passed in
strictest seclusion, upon which he must never dare to intrude, under
penalty of losing her forever. For many years all went well, save that
the fair Melusina's children were, without exception, misshapen or
disfigured. But after a while this strange weekly seclusion got
bruited about all over the neighbourhood, and people shook their heads
and looked grave about it. So many gossiping tales came to the Count's
ears, that he began to grow anxious and suspicious, and at last he
determined to know the worst. He went one Saturday to Melusina's
private apartments, and going through one empty room after another, at
last came to a locked door which opened into a bath; looking through a
keyhole, there he saw the Countess transformed from the waist
downwards into a fish, disporting herself
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like a mermaid in the water. Of course he could not keep the secret,
but when some time afterwards they quarrelled, must needs address her
as "a vile serpent, contaminator of his honourable race." So she
disappeared through the window, but ever afterward hovered about her
husband's castle of Lusignan, like a Banshee, whenever one of its
lords was about to die.
The well-known story of Undine is similar to that of Melusina, save
that the naiad's desire to obtain a human soul is a conception foreign
to the spirit of the myth, and marks the degradation which
Christianity had inflicted upon the denizens of fairy-land. In one of
Dasent's tales the water-maiden is replaced by a kind of werewolf. A
white bear marries a young girl, but assumes the human shape at night.
She is never to look upon him in his human shape, but how could a
young bride be expected to obey such an injunction as that? She lights
a candle while he is sleeping, and discovers the handsomest prince in
the world; unluckily she drops tallow on his shirt, and that tells the
story. But she is more fortunate than poor Raymond, for after a
tiresome journey to the "land east of the sun and west of the moon,"
and an arduous washing-match with a parcel of ugly Trolls, she washes
out the spots, and ends her husband's enchantment.26
In the majority of these legends, however, the Apsaras, or
cloud-maiden, has a shirt of swan's feathers which plays the same part
as the wolfskin cape or girdle of the werewolf. If you could get hold
of a werewolf's sack and burn it, a permanent cure was effected. No
danger of a relapse, unless the Devil furnished him with a new
wolfskin. So the swan-maiden kept her human form, as
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long as she was deprived of her tunic of feathers. Indo-European
folk-lore teems with stories of swan-maidens forcibly wooed and won by
mortals who had stolen their clothes. A man travelling along the road
passes by a lake where several lovely girls are bathing; their
dresses, made of feathers curiously and daintily woven, lie on the
shore. He approaches the place cautiously and steals one of these
dresses.27 When the girls have finished their bathing, they all come
and get their dresses and swim away as swans; but the one whose dress
is stolen must needs stay on shore and marry the thief. It is needless
to add that they live happily together for many years, or that finally
the good man accidentally leaves the cupboard door unlocked, whereupon
his wife gets back her swan-shirt and flies away from him, never to
return. But it is not always a shirt of feathers. In one German story,
a nobleman hunting deer finds a maiden bathing in a clear pool in the
forest. He runs stealthily up to her and seizes her necklace, at which
she loses the power to flee. They are married, and she bears seven
sons at once, all of whom have gold chains about their necks, and are
able to transform themselves into swans whenever they like. A Flemish
legend tells of three Nixies, or water-sprites, who came out of the
Meuse one autumn evening, and helped the villagers celebrate the end
of the vintage. Such graceful dancers had never been seen in Flanders,
and they could sing as well as they could dance. As the night was
warm, one of them took off her gloves and gave them to her partner to
hold for her. When the clock struck twelve the other two
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started off in hot haste, and then there was a hue and cry for gloves.
The lad would keep them as love-tokens, and so the poor Nixie had to
go home without them; but she must have died on the way, for next
morning the waters of the Meuse were blood-red, and those damsels
never returned.
In the Faro Islands it is believed that seals cast off their skins
every ninth night, assume human forms, and sing and dance like men and
women until daybreak, when they resume their skins and their seal
natures. Of course a man once found and hid one of these sealskins,
and so got a mermaid for a wife; and of course she recovered the skin
and escaped.28 On the coasts of Ireland it is supposed to be quite an
ordinary thing for young sea-fairies to get human husbands in this
way; the brazen things even come to shore on purpose, and leave their
red caps lying around for young men to pick up; but it behooves the
husband to keep a strict watch over the red cap, if he would not see
his children left motherless.
This mermaid's cap has contributed its quota to the superstitions
of witchcraft. An Irish story tells how Red James was aroused from
sleep one night by noises in the kitchen. Going down to the door, he
saw a lot of old women drinking punch around the fireplace, and
laughing and joking with his housekeeper. When the punch-bowl was
empty, they all put on red caps, and singing
"By yarrow and rue,
And my red cap too,
Hie me over to England,"
they flew up chimney. So Jimmy burst into the room, and seized the
housekeeper's cap, and went along with
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them. They flew across the sea to a castle in England, passed through
the keyholes from room to room and into the cellar, where they had a
famous carouse. Unluckily Jimmy, being unused to such good cheer, got
drunk, and forgot to put on his cap when the others did. So next
morning the lord's butler found him dead-drunk on the cellar floor,
surrounded by empty casks. He was sentenced to be hung without any
trial worth speaking of; but as he was carted to the gallows an old
woman cried out, "Ach, Jimmy alanna! Would you be afther dyin' in a
strange land without your red birredh?" The lord made no objections,
and so the red cap was brought and put on him. Accordingly when Jimmy
had got to the gallows and was making his last speech for the
edification of the spectators, he unexpectedly and somewhat
irrelevantly exclaimed, "By yarrow and rue," etc., and was off like a
rocket, shooting through the blue air en route for old Ireland.29
In another Irish legend an enchanted ass comes into the kitchen of
a great house every night, and washes the dishes and scours the tins,
so that the servants lead an easy life of it. After a while in their
exuberant gratitude they offer him any present for which he may feel
inclined to ask. He desires only "an ould coat, to keep the chill off
of him these could nights"; but as soon as he gets into the coat he
resumes his human form and bids them good by, and thenceforth they may
wash their own dishes and scour their own tins, for all him.
But we are diverging from the subject of swan-maidens, and are in
danger of losing ourselves in that labyrinth of popular fancies which
is more intricate than any that Daidalos ever planned. The
significance of all these sealskins and feather-dresses and mermaid
caps and werewolf-girdles
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may best be sought in the etymology of words like the German leichnam,
in which the body is described as a garment of flesh for the soul.30
In the naïve philosophy of primitive thinkers, the soul, in passing
from one visible shape to another, had only to put on the outward
integument of the creature in which it wished to incarnate itself.
With respect to the mode of metamorphosis, there is little difference
between the werewolf and the swan-maiden; and the similarity is no
less striking between the genesis of the two conceptions. The original
werewolf is the night-wind, regarded now as a man-like deity and now
as a howling lupine fiend; and the original swan-maiden is the light
fleecy cloud, regarded either as a woman-like goddess or as a bird
swimming in the sky sea. The one conception has been productive of
little else but horrors; the other has given rise to a great variety
of fanciful creations, from the treacherous mermaid and the fiendish
nightmare to the gentle Undine, the charming Nausikaa, and the stately
Muse of classic antiquity.
We have seen that the original werewolf, howling in the wintry
blast, is a kind of psychopomp, or leader of departed souls; he is the
wild ancestor of the death-dog, whose voice under the window of a
sick-chamber is even now a sound of ill-omen. The swan-maiden has also
been supposed to summon the dying to her home in the Phaiakian land.
The Valkyries, with their shirts of swan-plumage, who hovered over
Scandinavian battle-fields to receive the souls of falling heroes,
were identical with the Hindu Apsaras; and the Houris of the Mussulman
belong to the same family. Even for the angels, -- women with large
wings, who are seen in popular pictures bearing mortals on high
towards heaven, -- we can hardly
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claim a different kinship. Melusina, when she leaves the castle of
Lusignan, becomes a Banshee; and it has been a common superstition
among sailors, that the appearance of a mermaid, with her comb and
looking-glass, foretokens shipwreck, with the loss of all on board.
[1] Compare Plato, Republic, VIII. 15.
[2] Were-wolf = man-wolf, wer meaning "man." Garou is a Gallic
corruption of werewolf, so that loup-garou is a tautological expression.
[3] Meyer, in Bunsen's Philosophy of Universal History, Vol. I. p. 151.
[4] Aimoin, De Gestis Francorum, II. 5.
[5] Taylor, Words and Places, p. 393.
[6] Very similar to this is the etymological confusion upon which is
based the myth of the "confusion of tongues" in the eleventh chapter
of Genesis. The name "Babel" is really Bab-Il, or "the gate of God";
but the Hebrew writer erroneously derives the word from the root
balal, "to confuse"; and hence arises the mythical explanation, --
that Babel was a place where human speech became confused. See
Rawlinson, in Smith's Dictionary of the Bible, Vol. I. p. 149; Renan,
Histoire des Langues Sémitiques, Vol. I. p. 32; Donaldson, New
Cratylus, p. 74, note; Colenso on the Pentateuch, Vol. IV. p. 268.
[7] Vilg. Æn. VIII. 322. With Latium compare, Skr. prath (to spread
out), Eng. flat. Ferrar, Comparative Grammar of Greek, Latin, and
Sanskrit, Vol. I. p. 31.
[8] M'Lennan, "The Worship of Animals and Plants," Fortnightly Review,
N. S. Vol. VI. pp. 407-427, 562-582, Vol. VII. pp 194-216; Spencer,
"The Origin of Animal Worship," Id. Vol. VII. pp. 535-550, reprinted
in his Recent Discussions in Science, etc., pp. 31-56.
[9] Thus is explained, the singular conduct of the Hindu, who slays
himself before his enemy's door, in order to acquire greater power of
injuring him. "A certain Brahman, on whose lands a Kshatriya raja had
built a house, ripped himself up in revenge, and became a demon of the
kind called Brahmadasyu, who has been ever since the terror of the
whole country, and is the most common village-deity in Kharakpur.
Toward the close of the last century there were two Brahmans, out of
whose house a man had wrongfully, as they thought, taken forty rupees;
whereupon one of the Brahmans proceeded to cut off his own mother's
head, with the professed view, entertained by both mother and son,
that her spirit, excited by the beating of a large drum during forty
days might haunt, torment, and pursue to death the taker of their
money and those concerned with him." Tylor, Primitive Culture, Vol.
II. p. 103.
[10] Hence, in many parts of Europe, it is still customary to open the
windows when a person dies, in order that the soul may not be hindered
in joining the mystic cavalcade.
[11] The story of little Red Riding-Hood is "mutilated in the English
version, but known more perfectly by old wives in Germany, who can
tell that the lovely little maid in her shining red satin cloak was
swallowed with her grandmother by the wolf, till they both came out
safe and sound when the hunter cut open the sleeping beast." Tylor,
Primitive Culture, I. 307, where also see the kindred Russian story of
Vasilissa the Beautiful. Compare the case of Tom Thumb, who "was
swallowed by the cow and came out unhurt"; the story of Saktideva
swallowed by the fish and cut out again, in Somadeva Bhatta, II.
118-184; and the story of Jonah swallowed by the whale, in the Old
Testament. All these are different versions of the same myth, and
refer to the alternate swallowing up and casting forth of Day by
Night, which is commonly personified as a wolf, and now and then as a
great fish. Compare Grimm's story of the Wolf and Seven Kids, Tylor,
loc. cit., and see Early History of Mankind, p. 337; Hardy, Manual of
Budhism, p. 501.
[12] Baring-Gould, Book of Werewolves, p. 178; Muir, Sanskrit Texts, II.
435.
[13] In those days even an after-dinner nap seems to have been thought
uncanny. See Dasent, Burnt Njal, I. xxi.
[14] See Dasent, Burnt Njai, Vol. I. p. xxii.; Grettis Saga, by
Magnússon and Morris, chap. xix.; Viga Glum's Saga, by Sir Edmund
Head, p. 13, note, where the Berserkers are said to have maddened
themselves with drugs. Dasent compares them with the Malays, who work
themselves into a frenzy by means of arrack, or hasheesh, and run
amuck.
[15] Baring-Gould, Werewolves, p. 81.
[16] Baring-Gould, op. cit. chap. xiv.
[17] Baring-Gould, op. cit. p. 82.
[18] Kennedy, Fictions of the Irish Celts, p. 90.
[19] "En 1541, à Padoue, dit Wier, un homme qui se croyait changé en
loup courait la campagne, attaquant et mettant à mort ceux qu'il
rencontrait. Après bien des difficultés, on parvint s'emparer de lui.
Il dit en confidence à ceux qui l'arrêtèrent: Je suis vraiment un
loup, et si ma peau ne parait pas être celle d'un loup, c'est parce
qu'elle est retournée et que les poils sont en dedans. -- Pour
s'assurer du fait, on coupa le malheureux aux différentes parties du
corps, on lui emporta les bras et les jambes." -- Taine, De
l'Intelligence, Tom. II. p. 203.
See the account of Slavonic werewolves in Ralston, Songs of the
Russian People, pp. 404-418.
[20] Mr. Cox, whose scepticism on obscure points in history rather
surpasses that of Sir G. C. Lewis, dismisses with a sneer the subject
of the Berserker madness, observing that "the unanimous testimony of
the Norse historians is worth as much and as little as the convictions
of Glanvil and Hale on the reality of witchcraft." I have not the
special knowledge requisite for pronouncing an opinion on this point,
but Mr. Cox's ordinary methods of disposing of such questions are not
such as to make one feel obliged to accept his bare assertion,
unaccompanied by critical arguments. The madness of the bearsarks may,
no doubt, be the same thing us the frenzy of Herakles; but something
more than mere dogmatism is needed to prove it.
[21] Williams, Superstitions of Witchcraft, p. 179. See a parallel
case of a cat-woman, in Thorpe's Northern Mythology, II. 26. "Certain
witches at Thurso for a long time tormented an honest fellow under the
usual form of cats, till one night he put them to flight with his
broadsword, and cut off the leg of one less nimble than the rest;
taking it up, to his amazement he found it to be a woman's leg, and
next morning he discovered the old hag its owner with but one leg
left." -- Tylor, Primitive Culture, I. 283.
[22] "The mare in nightmare means spirit, elf, or nymph; compare
Anglo-Saxon wudurmære (wood-mare) = echo." -- Tylor, Primitive Culture,
Vol. II. p. 173.
[23] See Kuhn, Herabkunft des Feuers, p. 91; Weber, Indische Studien.
I. 197; Wolf, Beiträge zur deutschen Mythologie, II. 233-281 Müller,
Chips, II. 114-128.
[24] Baring-Gould, Curious Myths, II. 207.
[25] The word nymph itself means "cloud-maiden," as is illustrated by
the kinship between the Greek and the Latin nubes.
[26] This is substantially identical with the stories of Beauty and
the Beast, Eros and Psyche, Gandharba Sena, etc.
[27] The feather-dress reappears in the Arabianstory of Hasssn of
El-Basrah, who by stealing it secures possession of the Jinniya. See
Lane's Arabian Nights, Vol. III. p. 380. Ralston, Songs of the Russian
People, p. 179.
[28] Thorpe, Northern Mythology, III. 173; Kennedy, Fictions of the
Irish Celts, p. 123.
[29] Kennedy, Fictions of the Irish Celts, p. 168.
[30] Baring-Gould, Book of Werewolves, p. 133.
October, 1870.
Myths and Myth-makers - End of Chapter 3
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